Are Record Reviews Still Relevant?

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Let me repeat the question:  Are record reviews still relevant – and more specifically – to whom?

Is the role of print media as a consumer guide to music still relevant – and if so, to whom?

What if I said that young media professionals don’t see the record review as relevant?

What if I said that the notion of print media as a consumer guide is coming to an end much faster than some of us are prepared for?

Over the past several years I’ve been quite adamant that what people want to read about is the person behind the music, not the music – or especially what someone thinks about music personally.  After all, who cares what someone else has to say about a record – or a performance?  Isn’t the more important perspective that of the person partaking in the experience?

In an era of YouTube, BandCamp, SoundCloud, and Spotify, do we really need print media to “educate” us on what’s good, or not?

What role should print media fill, as it relates to the intersection between the record/show and the consumer?  Who’s more important – the print media, or the fan who told their friends on Instagram (with pics) about this badass band they just saw?

For the past 40+ years that I’ve been in the music business, and in media, we have used print as a way to promote ourselves as musicians – and our records, and our shows.  But what happens when no one is actually reading the paragraph describing the music in flowery terms?  What if it has all of a sudden become irrelevant?  What if it wasn’t the music people were interested in to begin with, but the actual PERSONAL and INTIMATE lives of the people behind the music?

I say this because I had an interesting meeting yesterday, at which I learned that the era I grew up with – and continue to exploit – may be coming to a very swift close.  As was expressed to me (and yes, I’m paraphrasing), “I am not a critic.  I am a journalist.  I wish to write about interesting events, and interesting people.  The reader can discover the music without my help.”

What would happen if Westword stopped publishing reviews?  Who would care?  Would you?boninwf back stage nite 1 2012

 

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SUPPORT FOR THE COLORADO SOUND PROVIDED BY 

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HOW MANY SONGS????

February 7, 2013 “Apple announced a pretty mind-boggling stat: The 25 billionth song had been downloaded on iTunes.”  Additionally there are OVER 26 million individual songs available on iTunes.

Stop and think about that if you’re complaining that a radio station won’t or doesn’t play your music.

In any 20 min segment of listening to the radio, how many songs can you POSSIBLY hear?

ANSWER:  less than 4 on avg.  

IN any given hour, with NO commercials, you might get in 12 or 13 songs …

How many hours a day does anyone person listen to any one radio station?

How many songs do you actually get to hear, when you look at the math?

FACT … in a world of MILLIONS, perhaps BILLIONS of songs, the chances of YOUR song getting measurable listens is pretty low … really low … if you’re getting THOUSANDS of listens, you’re ahead of most .. .hell, if you’re getting hundreds of listens you’re doing good.

Keep it up gang .. you’re on your way 🙂

Love,
goat

HELP WANTED: Development Support Rep Rocky Mountain PBS

Rocky Mountain PBS’ Western Colorado operations is looking to fill the position of Development Support Representative.

This position would provide support to underwriting and major giving through handling all production orders and scheduling of clients, along with assisting with donor prospecting, managing volunteers, organizing events and securing event sponsorships.

To apply and read the full job description, go to http://www.rmpbs.org/jobs/