NEW ADDS – KUNC

Just received notice from KUNC music director Benji McPhail that he has added the following Colorado cuts to rotation.

Katie Herzig – Drug
Katie Herzig – Walk Through Walls

Mollie O’Brien & Rich Moore –  Train Home
Mollie O’Brien & Rich Moore – Love Runner

Musketeer Gripweed – End Of The Day

String Cheese Incident – Can’t Wait Another Day
String Cheese Incident – Song In My Head

You Me And Apollo – I Don’t Want To Be Loved

Young Ancients – Live A Little
Young Ancients – Nobody Loves You

How Do You Define…. and why does it matter?

…singer-songwriter

puzzled emotoconYou ever stop and think about how you perceive and personally define styles or genres of music?  What does AAA mean?  Americana?  Rock?  Pop?  Can you articulate the difference between Rhythm & Blues and contemporary R&B?  Neither can most people – even those we’d think might or should know …such as event talent buyers.

So, I’m on the phone this week – doing what I do – consulting on matters related to music in Colorado, and I get asked “how do you define singer-songwriter?”  My immediate off the cuff answer was “everyone in music is a singer songwriter if they sing songs they write.”  That’s true.  If you sing songs you write you are in fact a singer-songwriter.  But the definition goes well beyond that.

The question came about because the person I was consulting had gotten push back from event buyers for being a singer-songwriter.  For many people in the scene – event buyers especially – the term brings a less than likable meaning – that of solo (or duo) act that sings soft wimpy ballady acoustic “folk” type songs – the type you hear in coffee shops and many brew pubs regionally today.

folk singerAccording to Allmusic.com,  “…the term Singer/Songwriter refers to the legions of performers that followed Bob Dylan in the late 60s and early 70s. Most of the original singer/songwriters performed alone with an acoustic guitar or a piano but some had small groups for backing. Their lyrics were personal, although they were often veiled by layers of metaphors and obscure imagery. Singer/songwriters drew primarily from folk and country, although certain writers like Randy Newman and Carole King incorporated the song-craft of Tin Pan Alley pop. The main concern for any singer/songwriter was the song itself, not necessarily the performance.”

Examples of singer songwriters also include:  Simon & Garfunkle, Billy Joel, Elton John, John Lennon, Van Morrison, and James Taylor from the 70’s and from the more contemporary listings, Elvis Costello, Norah Jones, Sheryl Crow, and Sara Bareilles to name a few.

This point is worth repeating; “The main concern for any singer/songwriter was the song itself, not necessarily the performance.”

So why does it matter?  It is the performance issue that drives many buyers away from so called singer-songwriters.  Many buyers don’t see the singer-songwriter as a performer – as an ENTERTAINER (despite the Billy Joels and Elton Johns, who few think of as singer-songwriters, but rather pop and/or rock acts).

I made a few calls to verify that my thinking was in line with realities on the ground.  I wondered why “singer-songwriters” need not apply in most cases.  The answer was “energy.”  What I took from that was not “energy” but FAMILIARITY.  Bring an Elton John or Bob Dylan tribute band to the party and you’re in.  Bring in Bob Dylan performing solo songs on an acoustic guitar that no one has yet become familiar with and he’s out.  Why?  FAMILIARITY = ENERGY and ENERGY = FAMILIARITY.

It’s not that folks expect to hire cover bands …and tribute bands fall into a different role in the scene – accepted as something more than a cover band.  It’s that folks who put on events desire music that the average attendee can “move along to” (read:  “sing along to”) even if they’ve never heard the song before.

If you avoid using the term singer-songwriter, as an artist what do you say you do musically?  Americana?  What’s that?  What’s different between pop and rock?  Is country “country” if it doesn’t sound like what’s on commercial country radio – or is that even country to begin with and when is it “too country?”  How bout the differences between Rhythm & Blues (R&B) in the classic context, and R&B in the contemporary context?

One event buyer/planner this week asked me to find them “Colorado sounding” acts.  When pressed, I came away with an answer that what was meant was acts in the bluegrass, jam-grass, jamband, reggae. jamband oriented funk and hip-hop, and “Americana” (read: non Nashville sounding country) styles of music.  At no time was I asked for singer-songwriter, folk, rock, pop, blues, soul, jazz, or country.

My best advice?  Leave the genres to those who care (uh … hello?)  and define based on comparatives, on “if you like so and so you’ll like _____________”  … choose “__________ compliments so and so in a mix,”  NOT “_________ sounds like so and so.

And even if you are, don’t call yourself a singer-songwriter … most singer songwriters I know can do solo, duo, trio, quartet, or even orchestra shows – and are not simply a gal or guy with a guitar …or Bob Dylan without a band …a “folk” singer.

When we think of great Colorado singer-songwriters, here are a few I think are definitely worth mentioning …we do love singer-songwriters in Colorado.  Turns out they’re among our most revered treasures.

#coloradorocks #coloradovideos #colordaosingersongwriters #leaderofthepack #localmusicmatters

The Colorado Sound S8 EP07 FEB 2014

boninwf back stage nite 1 2012(Sunday, Feb 23, 11AM)  I’m slammed.  I have to get six projects done and out the door by the end of the week LOL.  Oy … shit happens, right?  So, let’s get straight to it.

Building an income from self-employment is a difficult task.  It’s vastly different than getting up and going to a job everyday because at least there (unless you’re on commission) you don’t have to worry about how you’re going to generate income.  Someone else is responsible for making sure there’s money in the bank to pay you.

As a musician we fret about work (no pun intended LOL).  We hate making cold calls to strangers asking for a gig.  We hate asking for money – all too often we don’t how much is reasonable to ask for, and all too often we settle even when we think the deal is not equitable nor reasonable.

It’s the same thing that keeps most people out of sales, and being self-employed.  It’s the hard part of the business that we wish we could do without.  I cannot recount those who have confided in me how much they hate that part of being a musician.   Twice this week a musician has said to me, “I want someone else to do that work for me.  I hate it.  I just want to play.”  The reality on the street is that for at least 95% of us it just doesn’t work that way.

The overwhelming percentage of those whose music we experience are doing this for the joy of it … of course, wishing we could do it as full time employment …which like most things in life gets more challenging the more people there are doing the thing we also want to do and make a living at.

The aspiration drives the effort we all put out, to do this thing we cannot live without; it is such an ingrained part of who we are as personalities.  Much love to those who are efforting to realize their dreams, whatever they are.

And thanks for supporting the working musicians and those who provide to them a place to play in our communities … it is truly and deeply appreciated.

VIDEO PICK OF THE WEEK

I love pop.  Always have.  I love cotton candy and sticky sweet chewy bubble gum.  I love ALT-country AND hip-hop … jam-bands and rap-bands.  I dj’d professionally in clubs and at dances from 74-86 in Colorado, Connecticut, and North Dakota.  I still get a big smile when remembering rockin’ the tables with some Sugarhill Gang and Curtis Blow for the first time.  Diversions … H*Wood speaks to me…  “This ain’t no dance song, but get your dance on. Take the time to celebrate where you came from.”  Right on H*Wood. Peace.  

PLAYLIST S8 EP7 FEB 2014

String Cheese Incident “One Step Closer” from One Step Closer (2005)
Acoustic Junction “Goodbye World” from Strange Days (2000)
(D) Young Ancients “Nobody Loves You” from Young Ancients (2014)
Mollie O’Brien and Rich Moore “Sunday Street” from Love Runner (2014)
Mama Lenny and the Remedy “Loaded Gun” from Time (You’re Doing Fine) (2014)
My Body Sings Electric “Oceancrest” from Part 1: the Night Ends (2014)
(D) Eldren “We Just Want The World” [single] (2014) The Motet “Rich in People” from The Motet (2014)
Dubskin “Warrior Stomp” from Release from Fear (2011)
Monocle Band “Falling” from Monocle Band (2013)
The Jekylls “You’re Probably Right” from The Sweet Factory (2012)
Andy Rok & the Real Deal “Second Class Citizen” [single] (2014)
Ben Haugland “Lift” from The Point Of No Return (2012)
Jimmy Ibbotson “Saints and Sots” from More Than Mountains (2000)
C.W. McCall “Wolf Creek Pass” from Best of CW McCall (1997)
(D) Katie Herzig “Walk Through Walls” from Walk Through Walls (2014)

Whiskey Blanket “Blatto Nox” from From the Dead of Dark (2014)
(N) The Fray “Hurricane” from Helios (2014)
Kristina Murray “Rough Corners” from Unravelin’ (2014)
Matt Skinner Band “Ashes to Ashes” from Native Stranger (2013)
Rob Drabkin “Little Steps” from Little Steps EP (2013)
Devotchka “Curse Your Little Heart” from Curse Your Little Heart (2006)
(N) Dianne Reeves “I Want You” from Beautiful Life (2014)
Hazel Miller “Spider Web” from Coming To You Live…From KUVO (2011)
Adam Stern “Locked Up” from High Country Gentleman (2011)