REVIEW: MARYLYNN GILLASPIE- SECRET LANGUAGE

Colorado is known for world class jazz, strange as that might sound. Colorado is also known historically for world class vocal jazz. Denver native Dianne Reeves has earned five Grammy Awards and an honorary Doctorate from Julliard for her work in that genre.

Boulder based Rare Silk earned two Grammy nominations for their vocalese / vocal jazz in the early ’80s, and Lannie Garrett blessed area stages into the 21st century with her torch and big band jazz stylizations.

MaryLynn Gillaspie started out with Rare Silk, a vocal quartet that she, her sister Gaile and Marguerite Juneman formed in the late seventies as a trio to sing songs influenced by and in the style of swing-era acts like the Andrews Sisters. Their debut, New Weave, was nominated for a Grammy Award in the Best Jazz Vocal–Duo or Group category. Rare Silk ended their run in 1988.

MaryLynn Gillaspie wouldn’t be heard from again until 2012, when she began showing up with local Boulder/Denver musicians, sitting in for a song or two. That gave her the confidence to step into the studio, twenty-five years after Rare Silk ended.

Here’s a collection of songs MaryLynn has recorded since re-emerging in the scene a decade ago.

Secret Language (2022)

To be honest, with the exception of the standards, Dolphin Dance and Fly Me to the Moon, I knew almost nothing about the rest of the songs on the album. They could have all been self-penned for all I knew before opening it up and reading about it.

Fortunately, I listened without any real bias that way – it was a clean listen. And then I looked to see who wrote what.

It’s a shame really that I can’t find any liner notes. It would be nice to see who played what on each track. Based on the bits and pieces I have been able to collect, the notes read like a who’s who of Denver/Boulder talent, produced by Grammy winning Boulder composer and producer Kip Keupper at Coupe Studios.

Dophin Dance is a genuine joy. MaryLynn took the Herbie Hancock tune and wrote an original set of lyrics and a vocal melody for it. She also penned an original set of lyrics to Pat Metheny‘s (It’s Just) Talk. Not limited to being inspired by and influenced by jazz (old or new), MaryLynn turned to King Crimson‘s 1981 album Discipline for an utterly original retelling of Matte Kudasai.

As it stands now, on May 15 2022, MaryLynn’s return to full length “vinyl” (euphemistically speaking) is the stand out jazz album of the year from Colorado. It’s great to hear that voice again after more than THIRTY-FIVE years.

CP S16 EP16 2022

MAY 09, 2022 – Somewhere along the time line over the past two weeks I lost a day. I did manage to see a show Friday night (May 06) and even write about it. The next day (Saturday) while listening to the new LIVE album from Kaitlyn Williams, I wrote about that. That’s more writing than I normally get around to on a weekend.

Nathaniel Rateliff & the Night Sweats and the Lumineers swapped places this week (big surprise – LOL). Nic Clark enters this week’s TOP 5. Nic’s debut hits the charts about a year after he moved out of Colorado, but the locally homegrown blues harp player and producer got plenty of spins from 88.9 KRFC Fort Collins the past couple of weeks to earn the slot.

Earth, Wind & Fire sax player Andrew Woolfolk passed away April 24. Lead singer and fellow Denver East HS grad Philip Bailey celebrated a birthday May 07. I paid tribute in this week’s show.

TOP 5 WEEKLY #COMUSIC SPINS

Spin data pulled from the Colorado Playlist105.5 The Colorado SoundIndie 102.3 and eleven stations that use playlist generator Spinitron, designed to benefit non-commercial community/public and college radio stations and offering advanced search functions for artists and agents.

  1. NATHANIEL RATELIFF & THE NIGHTSWEATS – The Future LP
  2. THE LUMINEERS – Brightside LP
  3. ANTHONY RUPTAKBackrooms LP (Apr-22)
  4. NIC CLARK Love Your Life: Songs for the Whole Family LP (Jun-21)
  5. FIA NYXX Red Umbrella LP (Apr-22)

MONDAY MORNING MUSIC MEETING (MMMM)

HOUR 1

Earth Wind & Fire Africano – That’s The Way of the World (1975)
(D) Dafna The Man In My Dreams – When I Was With You! (2022)

Andy FrascoLove is a Gun – Keep On Keepin On (2020)
Slim Cessna’s Auto ClubMy Last Black Scarf – Unentitled (2011)
King CardinalRunaway (2022)
N3ptune, Rusty SteveBlack Horse – Renaissance (2022)
Zuba Imagine Freedom – The New Cruelty (1996)
Sherri JacksonTime & Time – Sherri Jackson (1997)
(D) Trevor Hall f. Marieme2 Oceans (2022)

Cassie Taylor No Ring Blues – Out of My Mind (2013)
Hugh PhillipsSteel Drivers Lament – It’s Been A Long Time (2021)
Kim Stone BandBob Goes to the Store – Earthschool + (1988)

HOUR 2

Earth Wind & FireDevotion – Open Our Eyes (1974)
Earth Wind & FireShining Star – That’s the Way of the World (1975)
(D) Elektric AnimalsCome Clean (2022)

Liptruce You Think You’re Hollywood – Liptruce (2020)
Dragondeer When I See You – If You Got The Blues (2018)
Wendy WooGood Old Days (2022)
Maddy and KevTrain Wreck – Take A Ride (2022)
The Apples In StereoAbout Your Fame – Tone Soul Evolution (1997)
Acoustic JunctionOh Me Oh My – Strange Days (2000)
Flobots Me & You (Happy 2gether) (2021)
(D) Kaitlyn Williams Don’t Blink – Under These Lights (2022)

OneRepublicWanted – Wanted (2019)
Kind Hearted Strangers Red & Blue – East-West (2021)
Brian Claxton The Yard – The Yard (2020)

THIS WEEK ON YOUTUBE

featuring  LiveMusicMegaSearch™

REVIEW – KAITLYN WILLIAMS SURPRISES WITH UNDER THESE LIGHTS

As a talent buyer, I yearn for a solid live representation of an artist or band. As a record “collector” and radio show producer, I LOVE and typically much prefer studio albums.

NOTE to musicians: Most people I chat with also prefer a solid live representation before deciding whether to spend money to see an unknown artist or band live.

Studio albums have detail and nuances not ordinarily evident in live records. Live albums are hard to produce, and often disastrous; without studio overdubs they often show every minute flaw in individual performances. Most live music video performances are often worse, for lack of proper professional video production among other things.

Kaitlyn Williams showed up on Denver’s open mic circuit about 2016. It wasn’t long before Denver’s Wes Watkins “discovered” her and invited her to be a part of his band, The Other Black. Seemingly, that’s all it took for the burgeoning pop/neo-soul songstress to gain the confidence she needed to go it alone with her own band.

Kaitlyn released her debut, Sunset, not long after in 2019. Songs like Rain and the title track Sunset revealed a songwriter and singer many years more polished and mature than the mediocrity that too often flows through my studio monitors.

Enter “Under These Lights,” the new LIVE album from Kaitlyn.

Kaitlyn walks a fine line between youthful pop and more sophisticated adult oriented neo-soul. She scores on both counts. Recorded live at the Lodge at Woods Boss Brewing in Denver, the intimate small room was the perfect space for the enthusiastic Kaitlyn and her fans (evidence fully displayed in the title track, the first full song in the show).

It takes some pretty major emotional fortitude to release a live album, especially one with music and performances as sophisticated and intimate as displayed Under These Lights. It may have felt great on stage, but what would the recording sound like? After all it was a live recording, which are often known for glaring deficiencies.

In this case Kaitlyn must have felt exuberant upon hearing it, because Under These Lights is a major league homerun among Colorado releases in 2022.

In a market crowed with potential pop/R&B/soul star power, Kaitlyn has more than earned her place with easily the best live album to come out of Denver in the past sixteen years of the Colorado Playlist.

NOTABLE TRACKS: #6 The Truth, #8 Don’t Blink