As we approach the midway point of November, it seems that site traffic has hit a hard roadblock of sorts. I hope you’ll remember to stop by and check out the new music in the MMMM and vote to KEEP or DELETE.
NEW this week YouTube Colorado Playlist of all the tracks from this week’s episode .. which includes new MMMM tracks from Foxfeather, AMZY, King Eddie, AMZY, Kid Reverie, Joe Johnson, and Tnertle.
Make sure you follow me on Spotify to find out what new artists I might be checking out. This week’s Spotify playlist is short some fine tracks from SUCH,Angie Stevens & the Beautiful Wreck,Zephyr and Alpha Centauri
I found all of this week’s tracks on YouTube – the first CP YouTube weekly playlists. Pls let me know what you think.
At Bohemian Foundation, our focus is on building community …by coming together to create and enjoy music.
VIDEO PICK OF THE WEEK
Speaking of Zephyr — very very happy that they along with original lead guitarist Tommy Bolin will be inducted into the Colorado Music Hall of Fame in 2019.
Also being inducted is the truly legendary Freddie-Henchi Band. Both Zephyr and the Freddi-Henchi Band were signed early on their careers in the late 60s, but wound up being more regionally famous as time went on; Zephyr until Candy’s death in 1984, and the FHB until the mid to late 80s when various life issues (drugs, booze, etc) decimated the band.
FHB would re-emerge in the mid 90s for a brief run. Freddi “Love” Gowdy appears with Chris Daniels & the Kings featuring Freddi Gowdy today.
105.5 The Colorado Sound & the Colorado Playlist Present:
What you’ll find below are new songs on the show this week … listen and let me know which ones you think I should keep in the Colorado Playlist, and which I should delete.
NOTE: In order to be included in the MMMM poll, the band/artist must have an embeddable file on Soundcloud, BandCamp, Reverbnation, Spotify or YouTube.
PLAYLIST S12 EP43
(D) = debut of lp, ep or single
(N) = new cut from previously debuted lp or ep
Dan Fogelberg “As the Raven Flies” from Souvenirs (1974) (D) Foxfeather “Come and Get Me” (2019)
Pint & A Half “Drive Drive Drive” from Boomtown Ghosts (2017) Otis Taylor “Huckleberry Blues” from My World Is Gone (2013) (D) King Eddie “Enter the Man” from Holographic Universe (2018) Drunken Hearts “Broken Things” from The Prize (2018) Big Head Todd & The Monsters “Imaginary Ships” from Crimes of Passion (2004) Mollie O’Brien & Rich Moore “Losers” from Saints & Sinners (2010) (D) Tempa & Naor Project “Let Go” from Embers (2019) Arthur Lee Land “Cracked Open” from Cracked Open (2013) Pandas & People “Find you” from Out to Sea (2017) Fred Hess “Norman’s Gold” from Single Moment (2008)
Alpha Centauri “One Night at a Time” from Alpha Centauri (1977) (D) AMZY “Feet On the Ground” (2018)
Brent Cowles “Lift Me Up (Leave Me Here)” from Cold Times (2017) Such “You (Icytat Vocal Mix)” from You (2016) (N) Kid Reverie “News” from Kid Reverie (2018)
Wood Brothers “Laughin’ or Cryin’” from One Drop of Truth (2018) Angie Stevens & the Beautiful Wreck “Queen of This Mess” from Queen of This Mess (2009) Subdudes “Morning Glory” from Miracle Mule (2007) Oxeye Daisy “Where Your Mind Goes” from Oxeye Daisy (2018) (N) Joe Johnson “Interstate Lovesick Song” from Morgantown (2018)
Andy Palmer “The Switch” from The Switch (2017) My Body Sings Electric “Oceancrest” from Part 1: the Night Ends (2014) (D) Tnertle “Apollo’s Outpost” from Burning Down the Sun (2019)
In 2000, no one I knew could have imagined smartphones, or iPads, or nearly ubiquitous wi-fi and broadband technologies, sufficiently powerful and cheap enough to allow for unfettered streaming of audio and video content. NO ONE could have imagined YouTube, or the impact it would have on how we discover new music.
We used to talk a lot about bringing down the industry. We used to talk a lot about how everyone who wanted to should be able to do music. Today, you can make a recording for almost nothing. Today, you can buy an instrument for the cost of the software to power it. Today all you need is an iPhone.
Today the industry as we knew it has become something else – and it feels weird for a lot of us.
How many cds have you purchased this year? How many singles or albums have you downloaded (and paid for)? How many small local shows have you attended this year? How many Colorado acts have you seen live, or purchased recordings from?
If music is free to consume, how do we cover the cost of getting it to the consumer?
Monday morning. MMMM .. Monday morning music meeting … traditionally, that’s the day we music directors used to sit down with the program director to discuss what new music we wanted to add to the playlist. That also meant discussing what we wanted to drop from the currents – that just weren’t “working.” There are sure some myths about radio programming floating around the populace, including among many of my musician friends.
We’re in a new era now – pads, tablets, streaming, smartphones, cloud services, and increasingly a fractured listener base. Yet in all of this, traditional broadcast radio listenership remains strong. Want the Facts & Figures?
Radio today reaches more than 90 percent of people in the U.S. on a weekly basis;
Radio reaches more than 68% of U.S. consumers ages 12 and older on an average day;
242 million people listen to the radio each week;
There are more than 16,000 radio stations across the United States, covering 50 different formats;
Audio consumers are listening for more than 2 ½ hours every day; and
More than two-thirds of the weekly radio audience works full-time, tuning in during the working day, away from home.
One of the most interesting debates taking place today is the one concerning non-physical / non-owned music, and how it’s distributed and monetized. Many of my peers over 50 think of anything internet related, other than iTunes, Amazon, or CDBaby direct downloads, as piracy intended to steal whatever direct commission revenue the band/artist/songwriter may be entitled to. So let me set the record straight.
No, streaming is not piracy. No, streaming is NOT a one-to-one sale. Sales of single units (or eps, or albums) are fast becoming something we boomers are holding onto. Streaming via your smartphone is the future. AT&T signed onto Beats. Spotify signed on with Sprint. Rumors abound that Verizon will sign on with iTunes. Rumors also abound that iTunes will be offering 24bit hi-res audio.
Bonnie & the Clydes – Music for the People Part I EP
… a marked improvement from the band’s debut, in songwriting, arranging, and vocal performances shared by husband/wife team Bonnie & Taylor Sims, with Taylor displaying an eerie similarity to Gordon Lightfoot’s vocal performance on the wonderful classicThe Wreck of the Edmund Fitzgerald on Evening Turns to Ashes. Bonnie sounds perfectly and splendidly classic in her lower-mid range tones on Open Road. Colorado country is different than country music in most parts of the US – with touches of West Texas permeating our own unique flavors and textures, which makes sense considering that Bonnie & Taylor are both from that region, along with other transplants like Andy & Jessica Eppler, aka Prairie Scholars .. or Austin transplants like Matt Skinner or Beth Williams — we sure do share a lot with our sisterly state to the south. Music for the People indeed – this one scores an OTB ADD (out of the box add) – straight to The Colorado Sound Live365 mornings and afternoons (until it breaks TOP 40 statewide).
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SpokesBUZZ, a Colorado 501C3 with a mission to AMPLIFY THE COLORADO MUSIC SCENE, DEVELOP OUR PROFESSIONAL ARTISTS, PROMOTE COLORADO AS A PROGRESSIVE CULTURAL DESTINATION, and GROW LOCAL ECONOMIES. Please visit the website for information on bands that SpokesBUZZ supports, as well as shows and more. www.spokesbuzz.org.