(A) = mornings 6A-11A,
(P) = afternoons 1P-5:30P
(N) = nights 5:30P-8:00P & overnights 10P-6A
(TOP 40) = Mon-Fri 11AM-1PM, 3:30-5:30PM, 8-10PM Weekend mixes = a little more classic during the day, a little more edge at night.
Big Gigantic – The Night Is Young (feat. Cherub) (N) Blind Tomorrow – Let Me Be (N) Dragondeer – Castaway (P, N) Highway 50 – Monday Morning (A, P) Ryan D White – Rocketship (P, N) Strolling Scones – Sailor’s Song (A, P) Young Ancients – Live A Little (A, P)
(Sunday, Jan 12, 2014) I love Sundays – especially during football season, and especially during the playoffs. The early game is on in the background as I sit and reflect on the week and this week’s music. Music does come before football with me LOL.
I had an interesting experience this weekend. A fellow musician began saying that radio is dead, that no one listens to radio anymore… and that more people listen to streaming radio ala Pandora, and satellite radio via Sirius than listen to “corporate radio” broadcast via terrestrial (conventional) technology. Oh boy … anyone who knows me at all knows how I handled this discussion LOL.
A DISCLAIMER: I listen to Internet-radio primarily .. and really only to The Colorado Sound Live365. I listen to it in the car via smartphone technology on an unlimited data plan from Verizon, and while I’m working out at the gym via the in-house broadband access. I do, also, listen to terrestrial radio. I listen to sports/talk during football season and public/community radio at other times.
a) all radio is corporate. there are no exceptions. Pandora is corporate. Sirius is corporate. All terrestrial radio stations are corporate, including public and community radio stations, which are incorporated under non-profit corporation status.. Some corporations are more centrally managed, while some have more diffuse forms of management with greater local control and/or autonomy. I press this because the impression seems to be that Pandora and Sirius are not “corporate radio.” Sirius does not allow for independent access in programming as it is functionally a monopoly. Pandora‘s music database is pre-screened and filtered before being made available to the public for personal mixing, and then only within the constraints of their music genealogy algorithms.
b) Radio is radio regardless of technology, but not all technologies are equal in reach. There are three primary means of broadcasting today: Terrestrial (conventional) AM & FM. Satellite (a quasi-monopoly held by the Sirius Corporation). Internet. Terrestrial radio has the greatest share of actual listenership to available audience. Satellite and Internet have the deepest reach in terms of geography, and therefore potential available audience. Terrestrial radio is firmly established in car dashboards, the primary place we listen to radio of any kind. Satellite radio is second in terms of in dash access. Internet is just now coming online, but is years away from being ubiquitous in our transportation devices since it requires greater efficiency and availability of broadband Internet access.
c) Terrestrial radio is still #1 in technology and listenership …
We’re still years away from AM/FM technology being “dead.” FM radio is still the dominant way we get exposed to new music, and news and local events. We are quite far away from Internet having the kind of reach that will allow rural users efficient access. If you live in a metro area with good data plans for your car or smartphone you’re ahead of the game…. you and your friends may be using conventional technology less than you were, or not at all anymore. But, I’ll make the bet that even the staunchest deniers turn on the car radio more than once a week 😉
If radio is dead have I finally hit zombie status?? (where’s Maris the Great when you need a ghoul?)
VIDEO PICK OF THE WEEK:
What a week for video releases! New videos were added from Katey Laurel, Matthew Moon, Fierce Bad Rabbit, Kronen, and Mama Lenny & the Remedy. Katey Laurel comes in first with the official video for her “hit” Hurricane – which seems to the tell the story of being in the “hurricane” of emotions during an especially difficult time in a relationship between a husband and a wife.
PLAYLIST S8|EP02
(D) – Debut: the first time a NEW album, ep, or single is aired.
(N) – New track from a previously debuted album or ep
Big Head Todd & The Monsters “Rosalita (f. John Popper)” [single] (2012) Halden Wofford & the Hi*Beams “All Along the Watchtower” from Live @ Hodis (2012) Drew Emmitt “Tangled Up In Blue” from Freedom Ride (2002) (D) Vinnie Maniscalco “TaKillYa” [single] (2013) Places “Honesty” from No More Wasted Days (2012) Katey Laurel “Hurricane” from Periscope (2014) Jeff Brinkman “Ordinary Day” from Strange (2012) (D) Rachel and the Ruckus “Could Be Tonight” [single] (2013) SHEL “On My Way” from SHEL (2012) Metropolitan Jazz Orchestra “Zen and The Art of Samba” from Sharks And Manatees (2012) Acoustic Junction “Every Heart” from Strange Days (2000) Reed Foehl “Wolves” from Once An Ocean (2009) (N) Mosey West “Hurricane Eyes” from Bermuda (2014)
Monocle Band “Falling” from Monocle Band (2013) Leftover Salmon “Sing Up To The Moon” from Aquatic Hitchhiker (2012) Soul School “Out of Your League” from Chapter One (2014) Flobots “White Flag Warrior” from Survival Story (2010) Rachel & the Kings “Not Giving Up” from Tonic (2013) Soul Merchants “Crowns of Glory” from Soul Merchants (2007) Fierce Bad Rabbit “Do You Want Me Now?” [single] (2014) (N) Mollie O’Brien and Rich Moore “Train Home” from Love Runner (2014) Dan Treanor & African Wind “Mercy” from Mercy (2005) The Motet “Afro Disco Beat” from Instrumental Dissent (2007)
String Cheese Incident “One Step Closer” from One Step Closer (2005) Big Head Todd & The Monsters “Broken Hearted Savior” from Sister Sweetly (1993) (N) Grant Farm “Colorado” from Spokesbuzz Volume 4 (2013) The Lovely & Talented “Death Of The Lover” from The New American Fable (2010) Devotchka “Exhaustible” from 100 Lovers (2011) Tennis “100 Lovers” from Small Sound (2013) Ian Cooke “Fortitude” from Fortitude (2011) Toad In the Hole “FireGirl” from APT 203 (2013) My Body Sings Electric “Rings” from Changing Color (2011) Instant Empire “Cadillac Road” from Keep Up! (2013) (D) The Wild After “Lesson Learned” from Lesson Learned EP (2014) (D) Sound Studies “Smoke and Mirrors” [single] (2014) Tyler Ward “Keeping Secrets” from Hello. Love. Heartbreak (2012) Tom Gershwin “Harlem Nocturne” from Sweet Pastimes (2013) Joe Walsh “Rocky Mountain Way” from The Smoker You Drink, The Player You Get (1972) Churchill “Made A List” from Change EP (2012) (D) The Motet “123” from The Motet (2014) Katie Herzig “Little Bit of Love” from Secret Road – As Heard on TV (2014) Bop Skizzum “Say Something” from Say Something (2013) (D) Medic “Wake Me Up” [single] (2014) The Czars “Paint the Moon” from Goodbye (2004) The Apples in Stereo “No One In The World” from Travellers in Space and Time (2010) Whiskey Bottles “Baby, Your Bad Luck” from Grandville (2013) Blake Brown & American Dust Choir “Rise n’ Fight” from The American Dust Choir (2014) (D) Walker Shellist “Dream” from Readyset (2013) The Knew “What’s Hip (Long Walk)” from What’s Hip (Long Walk) (2013) (D) Drag the River “Not That Kind” from Drag The River (2013) Peter Sommer “Looks Like This” from Tremolo Canteen (2010)