Chris K's Colorado Playlist

CP S13 EP24 2019

Monday June 17, 2019 – One of the most consistent issues I hear both musicians and patrons talk about are “empty rooms.” As a former venue operator, and a life-long performing musician, I get it. I play in rooms with only a handful of people present. I’ve booked shows that only a handful of people have attended. There is no one single answer that will solve this issue.

I’ve performed in support of world renown musicians to empty rooms …as in only ten people, and five of them were associated with the show. This actually happened to me not long ago, where I played as the opener for an nationally recognized award winning singer-songwriter in front of ten people. I’ve also seen and performed in support of platinum selling bands that drew only a couple hundred people to the show.

Some venues are “concert” rooms – meaning the band is totally responsible for how many people attend – it’s essentially a popularity contest. If you’re a new band, or an up and coming local band, chances are likely you won’t have many people in “your” audience, and you hope to draw from those who show up to see the headliner – which supposedly does have a local draw.

Some venues are established restaurant / bar / music rooms. Some have a regular clientele. We all want to play those rooms. Some do not and therefore rely on the popularity of the band -the band draw. I’ve managed rooms like that, and performed at more than I can remember. Sometimes there is a crowd to play to, and in some cases the draw is minimal or not there at all.

My father, who owned a jazz venue in the early 60s, also complained about this issue – both as the owner of a venue and as a professional working musician. The issue is not new. However, today the issue is exacerbated by there being many hundreds of places to play in our region, and several thousands of bands and solo acts wishing to perform publicly – both from our own region as well as those out touring.

SUPPORT LIVE MUSIC – It’s the lifeblood of our industry.

At Bohemian Foundation, our focus is on building community …by coming together to create and enjoy music.

VIDEO PICK OF THE WEEK

The debut from the Boulder based band The Beeves was produced by Nate Cook (The Yawpers).

MONDAY MORNING MUSIC MEETING (MMMM)

Let me know if there’s something you think I should play. Email coloradoplaylist@gmail.com

(D) = debut LP/EP or single
(N) = new track from previously debuted LP/EP
(P) = Colorado Playlist exclusive premier

HOUR 1

Poco – A Good Feelin’ To Know – A Good Feelin’ To Know (1972)
(D) Scott Slay & the Rail – The Rail – The Rail (2019)

Andy Sydow – Who I Want to Be – Reasons for Departure (2018)
Slim Cessna’s Auto Club – Thy Will Be Done – Unentitled (2011)
(N) Grant Farm – Love and Pain – Broke In Two (2019)

Blue Street Walls – Never Dry Up – Like A Child (2019)
Wendy Woo Band – Unwind – Austerity (2011)
DeVotchKa – Contrabanda – 100 Lovers (2011)
Thom Sumbler And The Exceptions – It’s A Sin To Tell A Lie – There’s One In Every Crowd (2019)
(D) The Movers & Shakers – Pink and Black Cadillac – Live at Sun Studios (2019)

Mojomama – Lazy River – Red White and Blues (2018)
Chris Daniels & The Kings – Funky to the Bone – Funky to the Bone (2015)
Paa Kow – Cookpot – Cookpot (2017)

HOUR 2

Sweet Water Well – Zoeology – Westword Music Awards Showcase ’95 (1995)
(D) Heavy Diamond Ring – Wild Things (2019)

Liptruce (formerly The SIR Band) – So Cold – So Cold (2018)
Fierce Bad Rabbit – Matter of Time – The Maestro and the Elephant (2012)
(D) The Beeves – Jamie’s Revenge – Adam & Beeve (2019)

The Lumineers – Gloria – III (2019)
Flobots – The Rose And The Thistle – The Circle In The Square (2012)
The Knew – Major Nights – Man Monster (2012)
Kyle Emerson – May You Find Peace (2019)
(D) Dressy Bessy – Stay True – Fast Faster Disaster (2019)

Sarah Snead – All I’ve Got – Wake Tomorrow (2018)
Big Head Todd & The Monsters – Damaged One – New World Arisin’ (2017)
Ben Haugland – Big Foot – A Million Dreams (2015)

CP S13 EP23 2019

Monday June 10, 2019

According to the Denver Post, in an article dated SEPTEMBER 14, 2018, “Denver’s music industry is growing faster than its energy, aerospace and biotech industries.” The story was apparently culled from an academic report, “A Quantitative Analysis of Colorado’s Music Industry” (May 2018) authored by Michael Seman, PhD, Director of Creative Industries Research and Policy, University of Colorado Denver College of Arts & Media.

The essence of the article is that “Statewide, the music industry is responsible for more than 16,000 jobs and just over $1.4 billion in revenue. The most robust components in terms of employment and revenue are “Musicians, Managers, and Agents” and “Live Events” pointing to Colorado’s strength in creating music and showcasing it live.”

Thank you for supporting music FROM Colorado, IN Colorado – on stages and on the air.

The Colorado Playlist is supported by The Mishawaka Amphitheatre, and Oskar Blues Brewery. Additional support comes from the fans – you! Please consider supporting the show by making a contribution.

If you’re a business owner in the area, and you’d like to lend your support to this program, email me at chriskmusic@gmail.com for underwriting information.

Did you miss this week’s or LAST week’s show? 105.5 The Colorado Sound archives two weeks worth that you can stream at your leisure. They typically update their archives every Monday afternoon.

You can also stream the show in real time wherever the show is aired around the state. See the stations and times page for that info.

BEST OF THE DECADE 2010-2019

Coming up over the next few months, I’ll be putting up BEST OF YEAR posts starting in 2010. Your votes for TOP 5 from each year will be placed alongside the TOP 5 BEST of 2019 as the nominations for BEST OF DECADE 2010-2019. Here’s BEST OF 2010 …