The Radio Station of the Future….

Jerry Del Colliano is radio’s equivalent to blogger Bob Lefsetz … at least in so much as he’s the dominant voice in the blogoshere when it comes to radio.  This blog post of his has been making the rounds recently.. .with his permission attached at the end that’s it’s okay to share it.  Enjoy.

The Radio Station of the Future
Tuesday, October 11, 2011
By Jerry Del Colliano

KCRW has it right.  The Los Angeles public radio station is not really a radio station, which is why it has a bright future.  Think about it.

The top ten radio groups fight every day to promote on-air radio even as  they are cutting back programming resources and firing talent.  To them, radio today is almost exactly what radio was ten, twenty or more years ago – except worse.  That is, of course, insane because the world has changed a lot lately.

Technology grows exponentially now.  No one can stop it.  And some, like Steve Jobs at Apple, have harnessed technology to actually lead the consumer change.  But most radio stations look to the past for solutions.

Add to that the downsizing of radio caused by consolidators and their Wall Street investment bank owners and you have the present formula for failure or as I like to call it, “Too Big To Care”.  But there is hope for radio.  Not in the past, but by embracing the future as KCRW has done.  Others have as well.

National Public Radio has learned to become a content machine for the mobile Internet even as much as it is a national radio syndicate.  A little less crowing about 230 million weekly radio listeners and a little more innovation to find the next 230 million fans. Here’s how:

Create content not radio. That may sound awful to radio people but consumer behavior has changed and focusing on just the on-air programming will have predictable results. Radio can’t be depending on over the air broadcasting when consumers are depending on their mobile phones and tablets  to hook them up with content and information on-demand.

Apps and iPad-friendly websites are two good ways to endear yourself to listeners and join them in the digital space. Apps are very specific to an area of focus such as music discovery, local news or anything local for that matter. The iPad-friendly websites I suggest you create are more universal and cover a larger body of your entertainment content.  Yet you cannot find one radio broadcasting company willing to invest even 3% of its annual operating budget in things like this. To them, apps and websites are add-ons to radio and that thinking is getting them in trouble.

The radio broadcast will be more vital when what happens on the air stays on the air. That is, create a free broadcast experience for listeners who want to tune in and hear your content in real time. Unfortunately, radio groups have been compromising what they put on the air to save money and please Wall Street investors. Think about it. Non-commercial stations such as KCRW and others have to ask their listeners to support them.

Here’s a great litmus test for a radio operator. If you removed all commercials and asked your listeners to be 100% of your financial support, would you be out of business? If the answer is yes, fix it. KCRW gets 40% of its operating revenue from underwriters or what we would call advertisers. The rest from member donations and a small amount from The Corporation for Public Broadcasting the later of which is threatened by Washington politics.

Social networking is not just Twitter and Facebook although broadcasters see it that way. You are creating a social network built around your brand or format. In fact, before the Internet radio was in a sense a social network – albeit a one-way line of communication. The goal should be to gather “fans” not P1s and offer these fans something special for being part of what you do – your group, your “clubhouse”. Just as KCRW offers supporters “fringe benefits” or discounts at thousands of LA area stores, you can offer your listeners a deal far better than any couponing competitor because yours are club members, fans that can build repeat business something Groupon has not been able to do.

Curation or expert narration of music discovery is the absolute consumer need that is not being satisfied because ratings conscious radio programmers know better than listeners. Anyway, short playlists get higher People Meter ratings, right? Right on ratings. Wrong in winning fans.

To be blunt, more and more people don’t own radios.  Truth to be told, when was the last time you (a media person) bought a radio – just a radio?

I caught Jennifer Ferro, KCRW’s General Manager, talking with Mark Ramsey on what makes KCRW so potent a threat in the digital future.  She said radio is the method of delivery not the content.

Go back and read that line again. Radio is the method of delivery not the content.  Ferro continued – if you think of yourself as a radio station, you live and die by the technology.

I have not heard a smarter explanation of why traditional radio is failing and what it takes to build the radio station of the future in the same breath.

Think about it.

That’s how to turn radio around.

Please feel free to share my articles with your friends.

John Denver’s Estate Introduces New Series Of Previously Unreleased Live Recordings

October 13, 2011 – Denver, CO – The estate of legendary singer and songwriter John Denver is proud to introduce a new series of previously unreleased live recordings, which will be available exclusively for purchase as downloads on http://www.JohnDenver.com via Bandcamp. The first release will be available beginning this Saturday, October 15th.

The first release, “John Denver Live In Saratoga Springs, August 5, 1990,” has been digitally transferred from its original cassette format and mastered for high quality download.Many of Denver’s live concerts were recorded directly from the sound board, which results in the highest possible quality audio recording. With today’s technology, it is now easier than ever before to make these amazing, never-before-heard recordings available directly to fans. To purchase and download, please visit http://bit.ly/qGhSCk.

Denver was an American folk singer and songwriter who became one of the most popular singers of the 1970s. In his early career he toured the folk circuit, and in 1965 joined the Chad Mitchell Trio. By 1969, he had decided to pursue a solo career and released his first album, “Rhymes and Reasons,” including the original track “Leaving on a Jet Plane,” which was previously a hit for Peter, Paul and Mary. He released two more records in 1970, and then in 1971 came his breakthrough album, “Poems, Prayers and Promises,” which contained the instant classic “Take Me Home, Country Roads.” After that, the hit singles really started to flow, including “Rocky Mountain High,” “Sunshine on my Shoulders,” “Annie’s Song,” “Back Home Again,” “Thank God I’m a Country Boy,” and “Calypso.”

Denver undertook a large amount of television work in support of his music, and formed a special association with The Muppets, with whom he appeared several times. He released sixteen albums at the height of his career in the 1970s and went on to release nine more in the 1980s and seven in the 1990s. Until his death in 1997, Denver remained committed to the issues that interested him most, including ecology and human rights. He was an committed spokesman for causes he believed just, and his musical voice remains equally eloquent today, whether he’s telling us how good it feels to be home or how important it is to keep reaching for higher ground.

“John Denver Live In Saratoga Springs, August 5, 1990” track listing:

Windsong
Rocky Mountain High
Higher Ground
Home Grown Tomatoes
Sunshine On My Shoulders
Will I Ever Catch Another Butterfly
Leaving On a Jet Plane
Raven’s Child
Wild Montana Skies
I’d Rather Be a Cowboy
Whispering Jesse
Druthers
Seasons of the Heart
For You
Fly Away
It’s a Sin to Tell a Lie
The Flower That Shattered the Stone
Annie’s Song

The Colorado Sound – Vol. 3, EP 38 2011

News & Notes: (music bed, “Progabilly,” courtesy of Adam Stern off of his latest, High Country Gentleman)

The Soul Thieves “Starting Tonight” from Microphone In the Sugarbowl (2000)
Cassie Taylor “Keys” from Blue (2011)
(D) The Aunteaters “If the Tele Took Teardrops” from Marionette (2011)
(D) The Bimarinal “Move Me” from The Bimarinal (2011)
(D) Constitution “Broken Down” from Wrestling with the Daylight (2011)
Bop Skizzum “Beauty Queen” from Beauty Queen (2011)
Fierce Bad Rabbit “Everything’s Alright” from Spools of Thread (2010)
Post Paradise “The Ghost in the Airwaves” from New Normal (2011)
(D) Juno What?! “Late Night” from Late Night Live (2011)
(D) Big Jim Adam & John Stilwagen “When It Started to Rain” from Tippy’s Barn (2011)
Julie Hoest “Hot Time In the Old Town Tonight” from Where I’m Standing (1996)
Andy Ard “That’s What She Did to Me” from What She Did (2009)
Carmen Sandim Sextet “Feliz” from Brand New (2011)
Mercury Project “Refuge” from Soapbox Jive (2004)
Beats Noir! “Bad Beats” from 13 Tracks From the Dark Side of The Beat (2011)
(NT) SHEL  “Ruby Slippers” from The Dragon Came Down (2011)
(NT) Spring Creek “Evening Turns to Ashes” from Hold On Me (2011)
(NT) Great American Taxi “Poor House” from Paradise Lost (2011)
Slim Cessna’s Auto Club “My Last Black Scarf” from Unentitled (2011)
(NT) Andy Palmer “I Died Today” from Sometime Around (2011)
(D) INCA “Eye of the Storm” [single] (2011)
(D) Andy Monley “Anything” from Pull (2011)
Jim McTurnan & the Kids That Killed the Man “Don’t Count Me Out” from Joie De Vivre (2011)
Angie Stevens & the Beautiful Wreck “Queen of this Mess” from Queen of This Mess (2009)
Zach Heckendorf “All the Right Places” from The Cool Down (2011)
Jim Stranahan “Hip Street” from Free For All (2011)