The Colorado Sound S8 EP19 May 2014

Coming in July – a new Rocky Mountain Music Network / The Colorado Sound Presentation —- and I need your help.

chris at ob hmls sunday june 16 2013Nowadays it’s pretty easy to find out about folks who play music here in Colorado.  We’ve got lots of great music discovery programs and video sessions. Loft Sessions, Second Story Garage, and Open Air 1340 are the creme-du-jour, and then there are the interview programs that feature live music like KRFC’s Live At Lunch.   Want to know about the music, the band etc?  Easy.  Want to find out about the person him/herself?  Not so easy.

So, here’s the deal.  Beginning in mid July I will be debuting a new podcast.  Coming up with a new idea wasn’t easy.  I’ve been asked for several years to consider doing a music or interview based podcast.  Music podcasts are out as a matter of federal copyright law, and all of the interview programs I’ve heard have been heavy on music talk – not personal talk.

Inspired by (and instigated by) the “gentle persuasions” of two very good friends of mine in Northern Colorado radio, and currently being developed under the working title “Colorado Living Room Sessions,” host Chris K, aka goat, will visit music dignitaries, luminaries, legends, award winners, industry leaders, and emerging regional and national Colorado acts – in their (living rooms) – providing a much more intimate “look” into the lives of those who bring us our music.

The story is not about the music, but the person behind the music. It’s me  and  ______________ sitting comfortably, chatting about life, family, sports, profession, influences, inspirations, challenges, kids, grand kids, jobs, whatever and wherever the conversation may go.

This is not to say that music won’t be a part of the podcast (LOL … like that would ever happen), but it will be used as a bridge or break or to amplify some facet of what’s taking place in the conversation. And of course, if there’s a new record or major event or something music related, it will be included.

Currently we’re planning a 15-20 minute podcast.  There is also ongoing discussion whether I’ll do a weekly or bi-weekly episode.  The thought right now is that each episode could will be produced in two 15-20 minute parts (EP1/part1, EP1/part2)…  with a new episode every other week … lots to consider.  Shorter segments of 2-3 minutes will be edited for inclusion in weekly radio shows, as a tease for the full podcast.

David Glasser (Airshow Mastering, NARAS Board of Govenors)

Currently signed up:  David Glasser (Airshow Mastering, NARAS), Chris Daniels (Colorado Music Hall of Fame inductee), Liz Barnez (Bohemian Nights) and Mark Bliesener (bandguru, Lyle Lovett, BHTM).  

NEED YOUR HELP HERE

Chris Daniels (Colorado Music Hall of Fame inductee)
Chris Daniels (Colorado Music Hall of Fame inductee)

This is where you come in.  We need a title.  So what the hell .. how bout it?  Care to jump in and help out?  Here are a couple of suggestions with a place for you to write in a response.  Have at it.  I’ll pull together all the suggestions – pick which make sense from my side of the table – and we’ll have a run-0ff fan poll in June to determine the winning idea.

SHARE THIS WITH YOUR FANS, FRIENDS, and FAMILY

VIDEO PICK OF THE WEEK

PLAYLIST S8 EP19 May 2014

Zephyr “Dreamin’” from Heartbeat (1982)
Chris Daniels & the Kings “Roadhouse Music” from When You’re Cool (1987)
Jeff Finlin “East by West” from The Tao of Motor Oil (2010)
(D) Rachel & the Kings “Edge of Me” from Edge of Me EP (2014) Wendy Woo “Hold On” from Live (2013)
(D) Josh Blackburn “Sympathy” [single] (2014) (D) American Blackout “Truth & Charades” [single] (2014) 
Slim Cessna’s Auto Club “Do You Know Thee Enemy” from Unentitled (2011)
(D) Dakota Blonde “The Love We Build” from The Love We Build (2013)
Thom Chacon “American Dream” from Thom Chacon (2013)
Ryan D White “Love Story” from Something Brilliant Is About to Happen (2014)
(D/G) Billy Ryan & Black Irish “Lion of Ireland” from Billy Ryan & Black Irish (Remastered) (1988)
Zephyr “Don’t Come Back” from Heartbeat (1982)
Jill Sobule “Supermodel” from Jill Sobule (1995)
(N) Grant Farm “Shiny Brown Eyes” from Plowin’ Time (2014)
The Wild After “Meant for You” from Lesson Learned EP (2014)
(D) Kate LeRoux “It Doesn’t Matter At All (single edit)” from Phoenix (2014) Matt Skinner Band “I’ll Keep Loving” from Native Stranger (2013)
The Apples in Stereo “Hey Elevator” from Travellers in Space and Time (2010)
The Fray “Love Don’t Die” from Helios (2014)
Musketeer Gripweed “A Train” from Floods and Fires (2014)
Arthur Lee Land “Cracked Open” from Cracked Open (2013)
Jon Wirtz “Country” from Tourist (2013)

CCCLogoPMS300ConvertedColorado Case Company:  Colorado made insulated soft cases, gig bags, case covers and rigid cases for most instruments.  This premium, professional grade, brand is designed, engineered and tested to provide incredible thermal protection for your valuable musical instrument.  We specialize in unusual and hard to fit instruments.  Info at www.coloradocase.comSpokesBuzz Fort Collins logo

SpokesBUZZ, a  Colorado 501C3 with a mission to DEVELOP THE PROFESSIONALISM OF ARTISTS, PROMOTE AND CONNECT PROGRESSIVE CULTURAL DESTINATIONS, AMPLIFY MUSIC SCENES and GROW LOCAL ECONOMIES.  Please visit the website for information on bands that SpokesBUZZ supports, as well as shows and more.  www.spokesbuzz.org.

The Colorado Sound Presents @ the Mish … coming … in July … a night under the stars with DeadFloyd  … information at www.themishawaka.com 

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How Do You Define… PT II

I'm picky AND I'm grumpy.
I’m picky AND I’m grumpy.

So, apparently I over generalized the nature of events (festivals) and event (festival) talent buyers in my previous post How Do You Define …and why does it matter?”  A couple of folks have taken me to task for it, so let me clarify some of my points.

My major point is that labels such as singer-songwriter are inherently vague, overly broad, and should not be used as a means of describing the style of music that an artist does.  The connotation of a “singer-songwriter” is as a SOLO (or duo) performer, often accompanied by a single instrument, and is not indicative of the STYLE of music the artist is performing.

I attempted to defeat that bias by my choice of the videos I ended my past post with.  I specifically selected singers who also write their own material, and are largely known as singer-songwriters – yet they display a diversity of style and lyrical content – and aesthetic quality.  There are (currently) 12 videos …from across Colorado’s history of great music.

The major point I was trying to establish was how differently we define a genre of music, and how those perceptions are applied by those who are listening, and therefore “buying” music – whether a fan, or those who book talent for SOME festival and/or civic events regionally .

lets-party-md

There are numerous types of events (festivals) in Colorado.  By some estimates there are as many as 1250 event days a year, statewide.  Many book a broad diversity of talent – from solo acts to large bands and orchestras – while others are more genre/style specific.

Those who are responsible for putting on many of our regional civic events are (generally) not in the business of music – they typically fill other (more important) roles at their municipal agencies.  In other words, their “business” may be city planning, and they may not be able to articulate genres and styles as those of us “in the business” can and (too often?) do.

Many of these folks only know about music as the average person (also not in the business of music) knows about music – from what they see on tv, remember from their youth (pre-24/25), or hear on their favorite local radio station.  They can tell you what they like, and they can typically paint broad outlines of “style” or “genre.”

More likely than not, they describe what they like or don’t like by referencing what they already know.  It seems to me at least that most people are more likely to say “I like ______________, and I think ____________ “sucks” than to try to describe music with “industry” terminology.

I know one person who works for a city, and is part of the summer downtown festival committee, who can’t name the artist behind a single song she hears on the radio, nor can she name the song.  Yet this person knows what she likes and doesn’t like, and can attribute a fundamental nomenclature to the style she listens to — however broad.  She can name something as country or pop/rock or metal or rap .. but fails to be able to describe music in much more specific terminology.  She calls those who sing solo with a guitar a “folk” artist.

I know another person at a civic agency that puts on a music event, who was unaware of one of the region’s top music publications, and is largely unaware of many of the regions’ top acts, including some our Grammy nominated and/or award winning talents. Still others have a knowledge set limited by other factors.

blue-stick-man-knowledge-mdThere are obviously exceptions, and many music buyers I know are incredibly knowledgeable about the scene and what kinds of music our artists perform.  As a radio dj over the past 35+ years in Colorado, however, I may call something one thing based on my knowledge of radio formats, and yet describe it using different terms if I’m talking to an artist, or someone booking talent for a civic event/festival.

I used the example of singer-songwriter because of an artist consultation, in which the artist asked me how to overcome the apparent bias inherent in the term singer-songwriter.  My point was DO NOT USE THE TERM SINGER-SONGWRITER.  It has no specific meaning – it’s too broad and diluted to use as a descriptive term of the TYPE (style) of music you perform.

confused1Confused?  You’re not alone.  It really is all about the words you use and how you use them – and boy is there a lot of confusion.

Descriptive terminology can be very different from generation to generation, as it is among those involved in the business (or art) of presenting music.  New terms (and the understanding thereof) are introduced with each new generation of musicians, fans, the general public, and those who present music to the public.

Who knew there would be HUNDREDS of styles of “rock” when we were introduced to “rock and roll” in 1955.  Alan Freed, aka Moondog. would be impressed, I’m sure. (or not)

EDIT:  Who knew there would be HUNDRED of styles of “rock” when we were introduced to “rock and roll in 1955 – regardless of who was given credit for coining the term.  

 

Support for the Colorado Sound Courtesy of

CCCLogoPMS300ConvertedColorado Case Company:  Colorado made insulated soft cases, gig bags, case covers and rigid cases for most instruments.  This premium, professional grade, brand is designed, engineered and tested to provide incredible thermal protection for your valuable musical instrument.  We specialize in unusual and hard to fit instruments.  Info at www.coloradocase.comSpokesBuzz Fort Collins logo

SpokesBUZZ, a  Colorado 501C3 with a mission to DEVELOP THE PROFESSIONALISM OF ARTISTS, PROMOTE AND CONNECT PROGRESSIVE CULTURAL DESTINATIONS, AMPLIFY MUSIC SCENES and GROW LOCAL ECONOMIES.  Please visit the website for information on bands that SpokesBUZZ supports, as well as shows and more.  www.spokesbuzz.org.

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The Colorado Sound Presents Head for the Hills with guests Grant Farm & Gipsy Moon, at the Mishawaka on May 17.  Tickets at www.themishawaka.com Check out this performance from H4TH at the Mish in 2012 ….

The Colorado Sound S8 EP18 May 2014

mothersdaycrayonsignHappy Mothers’ Day.  Not too much to say today.  Enjoy the day with your mom if you can, and if you can’t then enjoy the warm memories we all share of our mom’s.

We’ve been enjoying the incredible 1982 Zephyr Heartbeat album the past month … and we’re not done with it yet.  Gonna have to be soon though, as new classics are coming in this month from Billy Ryan & Black Irish (2005 remaster of 1988 S/T album + demos) and then sometime around the end of the month we’ll have the newly remastered 1969 Zephyr, featuring Tommy BolinRainbow in the Bathtub as well as outtakes, demos and Zephyr Live @ Tulagi’s record to share.

Looking forward into June, we should have the self-released album from the wonderful Richie Furay, who turned 70 this week.  WOW!  Happy Birthday Richie.

Don ‘t forget … next Saturday – MAY 17 … to join me at the Mishawaka Amphitheatre for Head for the Hills with Grant Farm and Gipsy Moon.

Mish Logo JPGThe Colorado Sound Presents Head for the Hills with guests Grant Farm & Gipsy Moon, at the Mishawaka on May 17.  Tickets at www.themishawaka.com Check out this performance from H4TH at the Mish in 2012 ….

PLAYLIST S8EP18 May 2014

(D) = album debut
(N) = new track from previously debuted album

Zephyr “I Know A Place” from Heartbeat (1982)
Sugarloaf “Myra Myra” from Don’t Call Us, We’ll Call You (1975)
The Samples “Pioneer Square” from Here and Somewhere Else (1998)
(N) Katie Herzig “Drug” from Walk Through Walls (2014)
Whiskey Blanket “Blatto Nox” from From the Dead of Dark (2014)
Dr. Izzy Band “Matches Don’t Burn Memories” from Blind and Blues Bound (2012)
In The Whale “Shall Not Be Moved” from Cake (2012)
Houses “Me & Mr Kelly” from Summer (2009)
(D) Grant Farm “Can’t You See” from Plowin’ Time (2014)
AdrienneO “Take It In” from Innocence (2013)
(N) Shatterproof “Sticks and Stones” from Spokesbuzz Volume 4 (2013)
Andrew Vogt “On the Run” from Cats Afoot (2010)
Zephyr “Half Heaven” from Heartbeat (1982)
Firefall “Strange Way” from Elan (1978)
Subdudes “Help Is On the Way” from The Subdudes (1989)
(N) String Cheese Incident “Stay Through” from Song In My Head (2014)
Glitta Kings “Twice Broken” from Girls in High Heels Shouldn’t Dance On Glass Tables (2014)
(N) You Me and Apollo “Days on Days” from Sweet Honey (2014)
(N) Katey Laurel “All the Way Home” from Periscope (2014)
Gromet “Skip Your Stone” from Barren (2013)
Mosey West “Hurricane Eyes” from Bermuda (2014)
Mollie O’Brien and Rich Moore “Train Home” from Love Runner (2014)
Nathaniel Rateliff “Nothing to Show For” from Falling Faster Than You Can Run (2014)
GogoLab “Honey Trap” from Border Patrol (2013)

Support for the Colorado Sound Courtesy of

CCCLogoPMS300ConvertedColorado Case Company:  Colorado made insulated soft cases, gig bags, case covers and rigid cases for most instruments.  This premium, professional grade, brand is designed, engineered and tested to provide incredible thermal protection for your valuable musical instrument.  We specialize in unusual and hard to fit instruments.  Info at www.coloradocase.comSpokesBuzz Fort Collins logo

SpokesBUZZ, a  Colorado 501C3 with a mission to DEVELOP THE PROFESSIONALISM OF ARTISTS, PROMOTE AND CONNECT PROGRESSIVE CULTURAL DESTINATIONS, AMPLIFY MUSIC SCENES and GROW LOCAL ECONOMIES.  Please visit the website for information on bands that SpokesBUZZ supports, as well as shows and more.  www.spokesbuzz.org.