CP S15:EP29 2021

MONDAY JULY 19 – I needed to wait until this morning for the official announcement for Bohemian Light Music Festival (formerly Bohemian Nights at New West Fest), the first of the three major Colorado-centric music events held over the summer.

This year’s event will be a smaller version of previous festivals, held over two days – Aug 14/15 – instead of three. Of course, it also means fewer acts than in past years: I count 45, down from what is normally about 70-75. Bohemian put together their own ’21 Bohemian Light Music Festival playlist.

Last week, the UMS announced its own scaled down lineup for Aug 27-29. I lost count of Colorado acts when I got over 95, a pretty hefty representation. Check out seventy-five of my favorites for the UMS on Spotify.

Adiel Mitchell, Heavy Diamond Ring, Kiltro, Los Mocochetes, The Milk Blossoms, The Still Tide, The Velveteers and Wildermiss are among the acts performing at both Bohemian Light and the UMS.

The annual Westword Music Showcase has moved to two days, Sept 17-18. Westword has not yet announced its Colorado lineup.

I’ll be featuring acts appearing at these events over the next several weeks.

TOP FIVE WK END JULY 17 2021

  1. LEFTOVER SALMON – Brand New Good Old Days LP (Mar-21)
  2. REVEREND FREAKCHILD – Supramundane Blues LP (Apr-21)
  3. THE CRUSH – Essential EP (Mar-21)
  4. DARKARTS – Story of Sirens EP (May-21)
  5. AMBAR LUCID – Get Lost In the Music EP (Jun-21)

TOP 5 and TOP 30 charts are pulled from published spins at 13 Colorado non-profit community/public and college radio stations.  Designed to benefit non-commercial public and college radio stations, record promoters and artists are among those most likely to benefit from the detailed search function.

Currently 11 Colorado radio stations utilize Spinitron.

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MONDAY MORNING MUSIC MEETING (MMMM)

HOUR 1

Serendipity Singers Don’t Let the Rain Come Down (Crooked Little Man) (1964)
The Astronauts – Movin’ – Surf Series: With the Astronauts (1965)
(D) LVDY – Lean In – Gold (2021)

Kerry Pastine and the Crime Scene – Under Your Spell – City of Love (2019)
Reverend Freakchild – Hippie Bluesman Blues – Dial It In (2018)
Flobots Me & You (Happy 2gether) (2021)
Big Head Todd & the MonstersFortune Teller (2021)
Born In The Flood – If this thing should spill – If this thing should spill (2007)
Jinx Jones – Bopalena – License To Twang (2001)
The 89s – Apple Of My Eye – Wash Away (2020)
(D) Thomas Harpole – Headlights (The 1916 Funk) – In Finite (2021)

Wildermiss – Carry Your Heart – Lost With You EP (2017)
The Still Tide – Keep It – Between Skies (2020)
Gerald Albright – Taking Control – G (2016)

HOUR 2

Bob Lind – Colorado Line – Since There Were Circles (1971)
Zephyr – The Radio Song – Going Back To Colorado (1971)
(D) The Velveteers – Charmer And The Snake – Nightmare Daydream (2021)

Kayla Marque – Mercy – Brain Chemistry (Right Brain) (2020)
Love Stallion – Big Rock Radio – Unforgettable Ride (2018)
Jay Silence – Rock n Roll – Grandma’s 45s (2021)
West Side Joe & The Men of Soul – Keep On Climbin’ – Keep On Climbin’ (2021)
Philip Bailey – Love Is Real – Love Is Real EP (2010)
Zuba – Planet Of Love – South Of Eden (1998)
(D) Erik Lunde – Long Time Overdue – Water From A Stone (2021)

Gabrielle Louise – Love On The Rocks – If The Static Clears (2016)
Johnny & The Mongrels – Louisiana Girl – Creole Skies (2020)
Emily Takahashi – Chicken Feather Blues – Not Spoken (2017)

THIS WEEK ON YOUTUBE

NOT EVERYTHING IN THE SHOW IS ON YOUTUBE

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How Do You Define… PT II

I'm picky AND I'm grumpy.
I’m picky AND I’m grumpy.

So, apparently I over generalized the nature of events (festivals) and event (festival) talent buyers in my previous post How Do You Define …and why does it matter?”  A couple of folks have taken me to task for it, so let me clarify some of my points.

My major point is that labels such as singer-songwriter are inherently vague, overly broad, and should not be used as a means of describing the style of music that an artist does.  The connotation of a “singer-songwriter” is as a SOLO (or duo) performer, often accompanied by a single instrument, and is not indicative of the STYLE of music the artist is performing.

I attempted to defeat that bias by my choice of the videos I ended my past post with.  I specifically selected singers who also write their own material, and are largely known as singer-songwriters – yet they display a diversity of style and lyrical content – and aesthetic quality.  There are (currently) 12 videos …from across Colorado’s history of great music.

The major point I was trying to establish was how differently we define a genre of music, and how those perceptions are applied by those who are listening, and therefore “buying” music – whether a fan, or those who book talent for SOME festival and/or civic events regionally .

lets-party-md

There are numerous types of events (festivals) in Colorado.  By some estimates there are as many as 1250 event days a year, statewide.  Many book a broad diversity of talent – from solo acts to large bands and orchestras – while others are more genre/style specific.

Those who are responsible for putting on many of our regional civic events are (generally) not in the business of music – they typically fill other (more important) roles at their municipal agencies.  In other words, their “business” may be city planning, and they may not be able to articulate genres and styles as those of us “in the business” can and (too often?) do.

Many of these folks only know about music as the average person (also not in the business of music) knows about music – from what they see on tv, remember from their youth (pre-24/25), or hear on their favorite local radio station.  They can tell you what they like, and they can typically paint broad outlines of “style” or “genre.”

More likely than not, they describe what they like or don’t like by referencing what they already know.  It seems to me at least that most people are more likely to say “I like ______________, and I think ____________ “sucks” than to try to describe music with “industry” terminology.

I know one person who works for a city, and is part of the summer downtown festival committee, who can’t name the artist behind a single song she hears on the radio, nor can she name the song.  Yet this person knows what she likes and doesn’t like, and can attribute a fundamental nomenclature to the style she listens to — however broad.  She can name something as country or pop/rock or metal or rap .. but fails to be able to describe music in much more specific terminology.  She calls those who sing solo with a guitar a “folk” artist.

I know another person at a civic agency that puts on a music event, who was unaware of one of the region’s top music publications, and is largely unaware of many of the regions’ top acts, including some our Grammy nominated and/or award winning talents. Still others have a knowledge set limited by other factors.

blue-stick-man-knowledge-mdThere are obviously exceptions, and many music buyers I know are incredibly knowledgeable about the scene and what kinds of music our artists perform.  As a radio dj over the past 35+ years in Colorado, however, I may call something one thing based on my knowledge of radio formats, and yet describe it using different terms if I’m talking to an artist, or someone booking talent for a civic event/festival.

I used the example of singer-songwriter because of an artist consultation, in which the artist asked me how to overcome the apparent bias inherent in the term singer-songwriter.  My point was DO NOT USE THE TERM SINGER-SONGWRITER.  It has no specific meaning – it’s too broad and diluted to use as a descriptive term of the TYPE (style) of music you perform.

confused1Confused?  You’re not alone.  It really is all about the words you use and how you use them – and boy is there a lot of confusion.

Descriptive terminology can be very different from generation to generation, as it is among those involved in the business (or art) of presenting music.  New terms (and the understanding thereof) are introduced with each new generation of musicians, fans, the general public, and those who present music to the public.

Who knew there would be HUNDREDS of styles of “rock” when we were introduced to “rock and roll” in 1955.  Alan Freed, aka Moondog. would be impressed, I’m sure. (or not)

EDIT:  Who knew there would be HUNDRED of styles of “rock” when we were introduced to “rock and roll in 1955 – regardless of who was given credit for coining the term.  

 

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The Colorado Sound Presents Head for the Hills with guests Grant Farm & Gipsy Moon, at the Mishawaka on May 17.  Tickets at www.themishawaka.com Check out this performance from H4TH at the Mish in 2012 ….